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DESST 1504 Representation

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DESST 1504 Representation

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Course Code: DESST 1504
University: The University Of Adelaide

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Country: Australia

Stage 2: Place & Idea 
Idea Generation 
Aim: I to develop your ability to intertwine your spatial thinking with visual documentation in the process of generating and visualizing design ideas. 
Individual : I Using digital model and/or hand visual notations as design and visualisation tools, each student is required to select a metaphor for seeking light, to translate this metaphor into a design idea, and generate three different possibilities for the articulation of this idea. The process involves the following stages: 
1. Identifying/selecting a suitable metaphor for the Seek Light pavilion
2. Expressing the metaphor in simple spatial idioms or diagrams
3. Articulating the diagrams through 3 different spatial/geometrical possibilities
4. Spatial and geometrical development of one possibility 
The spatial possibilities should be explored in context within the 3D digital, photo-collaged, or hand drawn site model. 

Theoretical and architectural study of the concept of Reflection
Linguistic Definitions:
As per the words of Lacan, who is one of the foremost figures of structural linguistics, the articulations of the aspect of vision (reflection being a part of concept of vision) are mainly guided by language as a form of communicative tool (Cuesta, de la Fuente, Barrio-Solórzano & Beato, 2002). 
Philosophical meanings:
Reflection, a state in the field of vision obtained with the help of mirror can be well related to the philosophy of depicting the otherness of oneself. In realms of modernism in architecture field, reflection can be depicted as the casting of an alter reality or alter ego of the entity. The concepts of existentialism can also be related many of the building making use of glass and metal in order to make reflections (Ammon, 2010). They have no such definite shapes, are out of the box and their storeys cannot be understood from outside. This fact also depicts and well related with the absurdity of life as shown in the form of art.
Figure 1:  Occitanie Tower, France (building having no such definite unusual shape and use of mirrors on outer surface, a symbol of modern architecture)
                                                                                           (Source: Geddie, 2014)
Meaning in architecture through case study:
The art of making use of reflective surfaces over buildings can be well related with the concept of minimalism (Plataniotis, Ma, Proper & de Kinderen, 2015). The different of the architects have been making use of the fact and aspect of reflection as one of the symbols of modernism. The use of rough and dull surfaces on building has been monotonous. Thus architects started designing building with shiny and reflective surfaces or building having very uncommon kind of structure and aesthetics. The outer appearance of buildings becomes more important than the overall inner appearance of the buildings. This led to the rise of designing building using metal and glass to make shiny and uncommon and unique loos and surfaces and give them a mirror like finish (in many of them). The use of glass as a reflective surface can be long traced from 1920 with the initiation of Mies van der Rohe’s Glass Skyscraper in Berlin, built in the year 1921.
                     Figure 2:  Mies van der Rohe’s Glass Skyscraper in Berlin, built in the year 1921
                                                                                     (Source: Ersoy, 2017)
The reflective facades have changed the whole dimension and aesthetics base for architecture and brought in with it an alternative and modern form of architecture. Use of aluminum plates as sunshades have also been seen in many of the building that have been in the modern times (Tsiambaos, 2017).
                                            Figure 3:  Use of aluminum plates as sunshades
                                                                         (Source: Chang & Winter, 2015)
                                                      Figure 4:  Use of aluminum plates as sunshades
                                                                                              (Source: Lim, 2016)
This kind of appearance has given them a kind of “Avant-Garde” essence in the field of architecture. This kind of modern form of architecture does not have a fixed kind of shape and structure, thus depicting their own unique and signature style. Further, in many of them, people cannot make out how many storeys do they contain. This aspect also relates to the concept of minimalism, that is the finding or showing of otherness of self (“Veiled in Brilliance: How Reflective Facades Have Changed Modern Architecture”, 2018).
Ammon, S., (2010). Language of Architecture. An approach to Nelson Goodman’s theory of symbols. From Logic to Art. Themes from Nelson Goodman, Frankfurt ua: Ontos, pp.321-328.
Chang, J. H., & Winter, T. (2015). Thermal modernity and architecture. The Journal of Architecture, 20(1), 92-121. doi: 10.1080/13602365.2015.1010095
Cuesta, C. E., de la Fuente, P., Barrio-Solórzano, M., & Beato, M. E. (2002). Introducing reflection in architecture description languages. In Software Architecture (pp. 143-156). Springer, Boston, MA doi: 10.1007/978-0-387-35607-5_15
Ersoy, U. (2017). Friedrichstrasse Skyscraper: Transfiguration Through Glass, or Vertical and Horizontal Transparencies: Mies van der Rohe. Companion to the History of Architecture, 1-13. doi: 10.1002/9781118887226.wbcha120
Geddie, V. J. (2014). The Use of Occitan Dialects in Languedoc-Roussillon, France (Doctoral dissertation, University of Mississippi). Retrieved from https://thesis.honors.olemiss.edu/113/
Lim, K. T. (2016). A Study on Preliminary Architectural Orientation Design Methodologies for Sustainability. ????????? ???, 36(3), 1-7. Retrieved from https://www.dbpia.co.kr
Plataniotis, G., Ma, Q., Proper, E., & de Kinderen, S. (2015, May). Traceability and modeling of requirements in enterprise architecture from a design rationale perspective. In Research Challenges in Information Science (RCIS), 2015 IEEE 9th International Conference on (pp. 518-519). IEEE. doi: 10.1109/RCIS.2015.7128916
Tsiambaos, K. (2017). From Doxiadis’ Theory to Pikionis’ Work: Reflections of Antiquity in Modern Architecture. Routledge. New York, United States
Veiled in Brilliance: How Reflective Facades Have Changed Modern Architecture. (2018). Retrieved from https://www.archdaily.com/796974/veiled-in-brilliance-how-reflective-facades-have-changed-modern-architecture

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