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WELL 433 Organizational Development
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WELL 433 Organizational Development
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Course Code: WELL433
University: Centennial College
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Country: Canada
Question:
For this assignment, you are to select one piece of Renaissance Art that you will analyse by answering the set of questions below. This piece can be either a painting, fresco, sculpture, architecture etc. The only real criteria is that it must be an example of visual art and that it comes from the Renaissance period.
Instruction:
1. Physical Description Please provide the physical qualities of the selected piece (length, width) and the type of artistic medium. What kinds of material were used in creation of this piece? 2. Give a brief biography (one to two paragraphs at most) of the artist. 3. What characteristics does your piece have to the portrayal of nature? Are there any depictions of science as understood during the Renaissance? 4. Does your piece have any relevance to the topic of religion or belief (This can also include aspects of mythology, politics or philosophy)?
Answer:
The Creation of Adam is an iconic painting of the Renaissance period by one of the famous painter of the high renaissance period, Michelangelo Di Lodovico Buonarroti Simoni (Di Bella et al.). The art is a part of the Sistine Chapel’s ceiling and was painted in 1508-1512.
The art had the dimensions of 280 cm x 570 cm and it was a Fresco painting where the artist painted on damp plaster using Wash Technique which made a semi-transparent layer of colour in the painting which enable the artist to add bright colours and shades using the various range of brushes (Wing). Michelangelo used Cartoons to transform the design onto a plaster surface in full size.
Michelangelo was an Italian artist who was sculptor, architect, painter and a poet of high renaissance period who significantly influenced the creativity related to the western visual arts. The artist born in the Florentine Republic. His notable tasks were David, Pieta, The Last Judgement and the Sistine Chapel ceiling. The artist projected the one of the most favoured subjects of art in Florence in form of David which was a statue of Biblical hero David standing nude (Corti et al.). The Pieta is one of the most famous works in the Christian community which gives us the view of the dead body of Jesus in the lap of Mother Mary after Crucifixion. The Last Judgement is the illustration of the second coming of Jesus after the death by the final and eternal judgement from the God of Humanity.
The creation gave two different portrayal where the first one is considered to be the portrayal of the human brain the next one is the portrayal of the birth process. The background appearance of God is thought to be of the shape of the human brain as the outlines of it relates to the shape of the cerebrum in the outer and inner surface of brain. In the next case the cloth appearing around the God is seemingly similar to the shape of human Uterus and the green coloured scarf can be thought to be the newly cut Umbilical Cord (Di Bella et al.). It is an art that can be considered to express the scientific process of human birth with the creation of Adam, the first human. Still it is significantly confusing to observe the navel of Adam as he was created not born.
It was an art stating the process of creating human by the God which is clearly visible from the extended hands of God in order to spread the spark of life in Adam (Afshar and Afshar). This gives the fundamental evaluation of the religious fact that God created the mankind.
It is significantly controversial to state whether the art has any impact on the history during the Renaissance period or not but it has an immense impact in the history of Genesis where it is observed that a feminine character is gazing at Adam. And it can be considered as the instinct reflex resulting from the concept of opposite gender attraction. The creation reflects the primary belief regarding the genesis and is a part of the Biblical Genesis Narratives.
References:
Afshar, Ahmadreza, and Neda Afshar. “Hands on stamps: hands from Michelangelo’s Creation of Adam.” Journal of Hand Surgery 40.3 (2015): 576-577.
Corti, Giacomo, et al. “Modelling the failure mechanisms of Michelangelo’s David through small-scale centrifuge experiments.” Journal of Cultural Heritage 16.1 (2015): 26-31.
Di Bella, Stefano, et al. “The “delivery” of Adam: a medical interpretation of Michelangelo.” Mayo Clinic Proceedings. Vol. 90. No. 4. Elsevier, 2015.
Wing, Stephanie Sorge. The Creation. Ed. A. Peter Brown. Coro, 2015.
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